“a gorgeous tribute to two pioneers of North American taiko whose outsized impact of 50+years has rippled throughout the world. ”

— Mike fienen, taiko artist

Synopsis.

Because of You, I Am is a short documentary film about PJ & Roy Hirabayashi, two quietly radical Japanese American taiko drummers who defied traditional cultural expectations in their quest for identity and purpose. Together, they spent over five decades using the drum as a platform to catalyze social change, build community from the ground up, and champion a new category of Asian American music despite facing the unrelenting challenges of anti-Asian hate, racial injustice, and cultural appropriation.

Themes.

Origin.

Asian-American identity
lineage of Japanese values
arts activism
community empowerment
outrunning racism
ERASURE OF HISTORY
taiko as a social platform

The origin behind the film’s title is the concept of “okagesama de”. In the Japanese language, this is loosely translated to mean…

Because you came before me, mother, father, grandma, grandpa, I am who I am. 

Here I stand on your shoulders, indebted to the groundwork you sowed, the foundation you laid, The culture you exemplified, and the values you tirelessly embodied.

“A brilliant work of art, illuminating, mesmerizing, and motivating; A story so real and stunning in black and white. Perfect.”

— Connie Young Yu

PJ & Roy’s story.

“Knowing we were stereotyped as quiet and reserved, we realized that taiko could be our voice and we could use the power of the drum to be loud, heard, and seen.”

— PJ & Roy
explore their story >

What is taiko?

“Taiko” is the Japanese word from drum. it is a traditional japanese instrument of various sizes made from natural materials and struck with “bachi”, a pair of wooden sticks. when taiko is played with body, mind, and soul, its sound echoes the human spirit.

discover more about taiko >

Aesthetic.

It was the Director’s conscious decision to shoot the film in richly toned black and white, and by doing so, minimize distractions from color to enhance viewer perception of emotions.

By incorporating the Japanese concept of "ma" (meaning empty space, a pause) and leitmotifs that DEPICT the interconnection of taiko and nature, the balance of flow and pacing was FREE to breathe on its own, encouraging REFLECTION ON THE UNSAID AND UNSEEN. This approach helped counter any expectation for a fast-MOVING narrative and opened the opportunity to frame the interviews and music with as much visual poetry as possible.

 

backlighting enhanced shadows and added mystery. AT THE SAME TIME, the sound of wind helped create the undercurrent of unresolved conflict, ambiguity, and doubt all artists must embrace and overcome to create.

 

Leica SL2S DSLR cameras and lenses captured the scenes for a visually stunning look. NATURE’S PALETTE WAS PARTICULARLY COOPERATIVE ON SHOOTING DAY, OFFERING AN ARRAY OF TEXTURES TO PLAY WITH. it was irresistible TO CAPTURE THE ARTISTS IN A NATURAL SETTING BECAUSE taiko comes from nature, ITS ENERGY emanating FROM THE EARTH TO THE SKY.

Filmmakers.

Doug Menuez

DIRECTOR | BIO

Pear Urushima

PRODUCER

Luke Carquillat

DIRECTOR of PHOTOGRAPHY

*Photo credit Marisa Maldonado

Director’s statement.

I was grateful to be invited to direct this short film about renowned taiko drummers PJ and Roy Hirabayashi, because of my fascination with how artists find purpose and meaning through their work. I'm also motivated by a deep curiosity about the core human experiences shared across all cultures and, in the context of culture, how we find our identity.

As children of Japanese immigrants who navigated conflicting cultures to find their identity and purpose, their story combined everything I've sought to explore throughout my life. I knew I had to make this film. I also knew I had been given a very special gift.

  • My vision was to make a quiet, thoughtful meditation about the journey of two artists who helped create a new form of Japanese American taiko. As a director, I approached this project as a respectful outsider aiming to gain trust, serve as a witness, and hopefully bring a fresh perspective to complex situations. To counter any lack of specific knowledge, I practiced "beginner's mind," assuming nothing and keeping my mind open to learning. Throughout my career shooting documentary stills projects, I've tried to spark dialogues across communities by offering a universal perspective on personal stories. This parallels what PJ and Roy have done by bringing people together with their music. I realized that my past experiences - as a photojournalist covering stories about Japanese Americans, the arts and culture in Japan as well as being an artist and musician grappling with my own identity (as a Basque descendent) - all connected me in profound ways to PJ and Roy and to this film.

    Through "Because of You, I Am," I want to evoke a range of emotions in the audience—surprise, curiosity, inspiration - and the irresistible urge to leap up as the drums start playing. History matters, so it's important to highlight the shameful history of our government's mistreatment and internment of Japanese American citizens during WWII and the current rise of anti-Asian hate. The film can help be a bridge between cultures, fostering empathy and understanding, for example, when Roy says, "It’s a sad situation where we can’t trust those who are around us because we’re a person of color and they are not,” audiences get a powerful insight into how it feels to stand in his shoes.

    Our popular culture rewards aggressive self-promotion and competitive, even ruthless, behavior to reach success. I learned from PJ and Roy that it's possible to accomplish impossible things simply by being true to yourself and your beliefs, steadfastly pursuing your art, and giving to your community. For over 50 years, PJ and Roy have proven the power that kindness and generosity of spirit can have while building a fulfilling, creative life and legacy.

    Ultimately, this film encourages audiences to reflect on the choices they need to make in their own lives to pursue their unspoken dreams.

    Director’s bio >

Crew.

DIRECTOR

Doug Menuez

EXECUTIVE PRODUCER

Pear Urushima

 

ASSOCIATE PRODUCER

Marisa Maldonado

PRODUCER

Doug Menuez

story consultant

pear urushima

EDITORS

Doug Menuez

Max Bowens

 

DIRECTOR OF PHOTOGRAPHY

Luke Carquillat

 

COLORIST

Luke Carquillat

 

CAMERA OPERATOR

Evan Werner

 

CAMERA ASSISTANT

Collin Hassler

 

2ND UNIT DIRECTOR OF PHOTOGRAPHY

Marisa Maldonado

SOUND MIXER & ENGINEER

Kevin Kono

 

ASSISTANT SOUND ENGINEER

Sebastian Miño-Bucheli

 

SET PHOTOGRAPHER

Marisa Maldonado

 

ASSISTANT EDITOR

Kullan Warner

 

ONLINE EDITOR

Ed Yonaitis

 

PRODUCTION ASSISTANT

Kristine Lee

Musical Acknowledgments

Taiko and fue tracks composed and performed by PJ & ROY HIRABAYASHI

 

Celebration

Composed and performed by PJ & ROY HIRABAYASHI

 

Ei Ja Nai Ka

Composed and choreographed by PJ HIRABAYASHI

Song, lyrics, and vocals by YOKO FUJIMOTO

Obon choreography by PJ HIRABAYASHI, YOKO FUJIMOTO, & NOBUKO MIYAMOTO

 

Free Spirit

Composed by ROY HIRABAYASHI

 

Hachijo Taiko

Arranged and performed by PJ & ROY HIRABAYASHI

 

Kin Moku

Composed by ROY HIRABAYASHI & KAREN MORITA

 

NanaShi

Composed by ROY HIRABAYASHI

 

Taiko Workshop Players

Hiromi Inaba, Stewart Kume, Trish Kume, Kristine Lee, Victoria Phan, Kazu Shirai, Sydney Shiroyama, Pear Urushima

Still Photography

Doug Menuez

Curt Fukuda

Dorothea Lange, National Archives

Clem Albers, National Archives

Eliot Elisofon, The LIFE Picture Collection

Fred Clark, GRANGER Historical Picture Archive

Julian F. Fowlkes, Library of Congress

Grateful Thanks

PJ & Roy Hirabayashi 

Kim Komenich

Leica Camera USA 

San Jose Japantown

 San Jose Taiko

School of Arts and Culture at Mexican Heritage Plaza

Production Partners

Menuez pictures

Kanreki productions

Awards & Screenings.

Awards.

Viewing schedule.

AWARDS & RECOGNITIONS

  • NOMINEE, best short film - HIFF44 HAWAI’I INTERNATIONAL FILM FESTIVAL (OCT 2024)

  • NOMINEE, SEEDS OF KINSHIP AWARD - DISORIENT ASIAN AMERICAN FILM FESTIVAL OF OREGON (Mar 2024)

  • WINNER BEst local short doc award, WINNER audience award - silicon Valley Asian Pacific FilmFest (Oct 2023)

UPCOMING SCREENINGS

  • STAY TUNED

past screenings

  • october 12,13, 2024, OFFICIAL SELECTION, hawai’i premiere with live screening, 44th Hawai’i International Film Festival, shown wtih feature film “nobuko Miyamoto: a song in movement

  • SEPTEMBER 1-15, 2024, OFFICIAL SELECTION, Japan film festival Los Angeles 2024, online screening in USA short films category, film info for September 1-15, 2024

  • august 17, 2024, north american taiko conference - regional Seattle, live screening+discussion: Respecting taiko: What is at risk if we forget our history and cultural values

  • SATURDAY, MAY 11, 2024, “continuum” event at school of arts and culture, SHOWCASING Mali alumnae ARTISTS, the film’s trailer will be looping throughout the event

  • Friday, may 10, 2024, 12noon PT, AARP live virtual screening + Q&A

  • thursday March 21, 2024, 3:30pm-5pm, UNIVERSITY OF CALIFORNIA BERKELEY, live screening and Q&A on campus, 554 social sciences bldg, co-sponsors - cal Raijin Taiko, uc Berkeley japanese american studies advisory committee & asian american & asian diaspora studies 122

  • SUN MAR 17, 2024, 9:30am - CINEQUEST, OFFICIAL SELECTION, LIVE SCREENING @Hammer theatre center, San Jose, California

  • MAR 8-10, 2024 - DISORIENT ASIAN AMERICAN FILM FESTIVAL OF OREGON, OFFiciAL SELECTION, LIVE SCREENING @art house, Eugene, Oregon

  • FEB 24-25,2024 - Films of remembrance, OFFICIAL SELECTION, LIVE SCREENING @KABUKI THEATRE, SAN FRANCISCO, california, FILM GUIDE

  • January 28, 2024 - Community screening hosted by Kinnara Taiko at Senshin Buddhist Temple, Los Angeles, California

  • October 22, 2023 - Silicon Valley Asian Pacific FilmFest, Official Selection, Winner - Local Short Documentary, Audience Award, live screening at AMC theaters, Sunnyvale, california

Request a screening.

Dear Friend,

We gladly welcome inquiries on screening the film, whether it be at a festival, educational setting, or community gathering. our wish is to Share the film across all cultures and walks of life in addition to working with stakeholders in education to use the film as a teaching tool.

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Photography by Doug Menuez.
Please contact us for info on licensing photos or purchasing original prints.

Contact.

PRESS, SCREENINGS, EDUCATIONAL LICENSING, FILM INFO, send a nice quote

PEAR(at)KanrekiProductions.com